The wolf man.

31 9 0
                                    

Back then, we didn't use the G-word. In fact, we strove not to use any word at all - not to acknowledge our summer haunting, certainly not to discuss it. And so the house tried harder, with what, I imagine, would be referred to as classic poltergeist activity. We would return home to find the taps turned on full-force, requiring wrenching back into inaction. An oven, on the third floor, would have its rings switched to red hot, making the house's already airless attics crackle dangerously with heat. After the second time it happened, we had it disconnected. It happened again. (And, believe me, as I write this, I too think it is mad.)


Matters became worse. One night, the boarded-over fireplace in my room ripped open with a clamour. I wrenched my pillow over my ears, telling myself it must be a trapped bird. In the daylight, I investigated. Behind the fireplace, crammed up the chimney, were Victorian newspapers recording the house's murder. I couldn't read them.


My mother started behaving oddly - pensive, distracted. We eldest and Nanny Williams, our beloved summer-holiday addition, interrogated her. Finally, she cracked. Waking in the night, she had seen a dead child. This is how she described it - not a ghost, but a dead child dressed in Victorian clothing, visible from the knees up. It had a certain logic: a child appearing to a mother. I became determined not to see any such thing. Sounds could be denied; but sights would be too appalling.



But my mother was not the only person to be so affected. The house's most oppressive room, overlooking the garden, we still do not venture into. It is colder than the rest of the house, now a repository for our old toys, which adds a certain Gothic element.



Back then, however, my four-year-old brother occupied it. Like all youngest offspring, he was a golden child: charming, vivacious. That summer he changed: rendered quiet, hollow-eyed, with the air of a tiny old man. Asked why he was so exhausted as he sat yawning one morning, he answered: "Every night, it's the same: the lady with the big bottom [a bustle? I wonder] and the two men fighting over my bed, then one man hurts the other and the lady screams." From then on, he slept in my mother's room.



My grandmother bedded down there next, innocent of that summer's events, then refused to ever again. My mother braved it to prove her wrong. Next morning, the room was locked. When we quizzed her, she refused to divulge what had happened, saying only that it was "something to do with time". Somehow this was - and remains - the most horrifying thing I had ever heard.

Songs Of The Dead DreamWhere stories live. Discover now