Chapter 17 - PRISON AND THE EFFECTS OF PUNISHMENT

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For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood,
And makes it bleed in vain.

- The Ballad of Reading Gaol.

Prison for Oscar Wilde, an English prison with its insufficient bad food and soul-degrading routine for that amiable, joyous, eloquent, pampered Sybarite. Here was a test indeed; an ordeal as by fire. What would he make of two years' hard labour in a lonely cell?

There are two ways of taking prison, as of taking most things, and all the myriad ways between these two extremes; would Oscar be conquered by it and allow remorse and hatred to corrupt his very heart, or would he conquer the prison and possess and use it? Hammer or anvil — which?

Victory has its virtue and is justified of itself like sunshine; defeat carries its own condemnation. Yet we have all tasted its bitter waters: only "infinite virtue" can pass through life victorious, Shakespeare tells us, and we mortals are not of infinite virtue. The myriad vicissitudes of the struggle search out all our weaknesses; test all our powers. Every victory shows a more difficult height to scale, a steeper pinnacle of god-like hardship — that's the reward of victory: it provides the hero with ever-new battle-fields: no rest for him this side the grave.

But what of defeat? What sweet is there in its bitter? This may be said for it; it is our great school: punishment teaches pity, just as suffering teaches sympathy. In defeat the brave soul learns kinship with other men, takes the rub to heart; seeks out the reason for the fall in his own weakness, and ever afterwards finds it impossible to judge, much less condemn his fellow. But after all no one can hurt us but ourselves; prison, hard labour, and the hate of men; what are these if they make you truer, wiser, kinder?

Have you come to grief through self-indulgence and good-living? Here are months in which men will take care that you shall eat badly and lie hard. Did you lack respect for others? Here are men who will show you no consideration. Were you careless of others' sufferings? Here now you shall agonize unheeded: gaolers and governors as well as black cells just to teach you. Thank your stars then for every day's experience, for, when you have learned the lesson of it and turned its discipline into service, the prison shall transform itself into a hermitage, the dungeon into a home; the burnt skilly shall be sweet in your mouth; and your rest on the plank-bed the dreamless slumber of a little child.

And if you are an artist, prison will be more to you than this; an astonishing vital and novel experience, accorded only to the chosen. What will you make of it? That's the question for you. It is a wonderful opportunity. Seen truly, a prison's more spacious than a palace; nay, richer, and for a loving soul, a far rarer experience. Thank then the spirit which steers men for the divine chance which has come to you; henceforth the prison shall be your domain; in future men will not think of it without thinking of you. Others may show them what the good things of life do for one; you will show them what suffering can do, cold and regretful sleepless hours and solitude, misery and distress. Others will teach the lessons of joy. The whole vast underworld of pity and pain, fear and horror and injustice is your kingdom. Men have drawn darkness about you as a curtain, shrouded you in blackest night; the light in you will shine the brighter. Always provided of course that the light is not put out altogether.

Hammer or anvil? How would Oscar Wilde take punishment?

* * * * *

We could not know for months. Yet he was an artist by nature — that gave one a glimmer of hope. We needed it. For outside at first there was an icy atmosphere of hatred and contempt. The mere mention of his name was met with expressions of disgust, or frozen silence.

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