Act IV, scene v

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[Elsinore. A room in the castle.]

Enter QUEEN GERTRUDE, HORATIO, and a Gentleman

QUEEN GERTRUDE

I will not speak with her.

Gentleman

She is importunate, indeed distract:
Her mood will needs be pitied.

QUEEN GERTRUDE

What would she have?

Gentleman

She speaks much of her father; says she hears
There's tricks i' the world; and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense: her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;
Which, as her winks, and nods, and gestures
yield them,
Indeed would make one think there might be thought,
Though nothing sure, yet much unhappily.

HORATIO

'Twere good she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds.

QUEEN GERTRUDE

Let her come in.

Exit HORATIO

To my sick soul, as sin's true nature is,
Each toy seems prologue to some great amiss:
So full of artless jealousy is guilt,
It spills itself in fearing to be spilt.

Re-enter HORATIO, with OPHELIA

OPHELIA

Where is the beauteous majesty of Denmark?

QUEEN GERTRUDE

How now, Ophelia!

OPHELIA

[Sings]
How should I your true love know
From another one?
By his cockle hat and staff,
And his sandal shoon.

QUEEN GERTRUDE

Alas, sweet lady, what imports this song?

OPHELIA

Say you? nay, pray you, mark.

Sings

He is dead and gone, lady,
He is dead and gone;
At his head a grass-green turf,
At his heels a stone.

QUEEN GERTRUDE

Nay, but, Ophelia,--

OPHELIA

Pray you, mark.

Sings

White his shroud as the mountain snow,--

Enter KING CLAUDIUS

QUEEN GERTRUDE

Alas, look here, my lord.

OPHELIA

[Sings]
Larded with sweet flowers
Which bewept to the grave did go
With true-love showers.

KING CLAUDIUS

How do you, pretty lady?

OPHELIA

Well, God 'ild you! They say the owl was a baker's
daughter. Lord, we know what we are, but know not
what we may be. God be at your table!

KING CLAUDIUS

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