ADAM BEDE (Completed)

Chapter 43- THE VERDICT

THE place fitted up that day as a court of justice was a grand old hall, now destroyed by fire. The midday light that fell on the close pavement of human heads was shed through a line of high pointed windows, variegated with the mellow tints of old painted glass. Grim dusty armour hung in high relief in front of the dark oaken gallery at the farther end, and under the broad arch of the great mullioned window opposite was spread a curtain of old tapestry, covered with dim melancholy figures, like a dozing indistinct dream of the past. It was a place that through the rest of the year was haunted with the shadowy memories of old kings and queens, unhappy, discrowned, imprisoned; but to-day all those shadows had fled, and not a soul in the vast hall felt the presence of any but a living sorrow, which was quivering in warm hearts.

But that sorrow seemed to have made it itself feebly felt hitherto, now when Adam Bede's tall figure was suddenly seen being ushered to the side of the prisoner's dock. In the broad sunlight of the great hall, among the sleek shaven faces of other men, the marks of suffering in his face were startling even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbours from Hayslope who were present, and who told Hetty Sorrel's story by their firesides in their old age, never forgot to say how it moved them when Adam Bede, poor fellow, taller by the head than most of the people round him, came into court and took his place by her side.

But Hetty did not see him. She was standing in the same position Bartle Massey had described, her hands crossed over each other and her eyes fixed on them. Adam had not dared to look at her in the first moments, but at last, when the attention of the court was withdrawn by the proceedings he turned his face towards her with a resolution not to shrink.

Why did they say she was so changed? In the corpse we love, it is the likeness we see—it is the likeness, which makes itself felt the more keenly because something else was and is not. There they were—the sweet face and neck, with the dark tendrils of hair, the long dark lashes, the rounded cheek and the pouting lips—pale and thin, yes, but like Hetty, and only Hetty. Others thought she looked as if some demon had cast a blighting glance upon her, withered up the woman's soul in her, and left only a hard despairing obstinacy. But the mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man; and to Adam, this pale, hard-looking culprit was the Hetty who had smiled at him in the garden under the apple-tree boughs—she was that Hetty's corpse, which he had trembled to look at the first time, and then was unwilling to turn away his eyes from.

But presently he heard something that compelled him to listen, and made the sense of sight less absorbing. A woman was in the witness-box, a middle-aged woman, who spoke in a firm distinct voice. She said, "My name is Sarah Stone. I am a widow, and keep a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar is the same young woman who came, looking ill and tired, with a basket on her arm, and asked for a lodging at my house on Saturday evening, the 27th of February. She had taken the house for a public, because there was a figure against the door. And when I said I didn't take in lodgers, the prisoner began to cry, and said she was too tired to go anywhere else, and she only wanted a bed for one night. And her prettiness, and her condition, and something respectable about her clothes and looks, and the trouble she seemed to be in made me as I couldn't find in my heart to send her away at once. I asked her to sit down, and gave her some tea, and asked her where she was going, and where her friends were. She said she was going home to her friends: they were farming folks a good way off, and she'd had a long journey that had cost her more money than she expected, so as she'd hardly any money left in her pocket, and was afraid of going where it would cost her much. She had been obliged to sell most of the things out of her basket, but she'd thankfully give a shilling for a bed. I saw no reason why I shouldn't take the young woman in for the night. I had only one room, but there were two beds in it, and I told her she might stay with me. I thought she'd been led wrong, and got into trouble, but if she was going to her friends, it would be a good work to keep her out of further harm."