I was sitting at the small desk in the
corner room. Nina's desk. Nina's room. She
had barely been allowed to stay in it.
After she had agreed to draw up her
memoirs before her cancer became too
painful, she had used this desk for writing.
For all of three weeks.
I had taken to
coming in here, using this desk, in her
absence, especially when my readings
or writings were of the personal kind.
It made me feel... more in touch with myself,
I guess.
Morning today, Mathew had proved
to be prompt. He had heaved a bulging box
folder in my hands and snarled:
"You won't be
getting any stories from me. You'll find
everything in there."
I had hardly slept
last night. That was not the unusual
part. There was no restfulness, no fancies,
no nightly daydreaming, no distractions,
no fussing around my studio to
catch up on long-held hobbies, no going
through Nina's memorabilia still
left in her closet, no sitting down to
work with inspiration from Maria's
nightly routine for like the thousandth time,
no swimming, no TV, no reading, no
strolling down to the kitchen to fill up
with leftovers from earlier cooking,
no not nothing.
I had just lain, stared up
at the ceiling, spreadeagled. Didn't see
a ceiling though. Just a huge vacuum right
in front of my eyes, boundless, utterly
absent of light, literal or else. Just
a heavy inky blank threatening to
engulf the little boy gazing up at
it. That's how vulnerable my recent
discovery had left me, shaken to
the core.
Was this depression? Nina's death
hadn't caused a plunge like this. At least it
was filled with all those memories. I would
take out my bundle of pictures and go
through them yet another time. Or, I would
YOU ARE READING
Beggars for Roses
General FictionThis is a fictional autobiography of an award-winning journalist by the name of Geoffrey Cunningham. Raised in the eighties, in a small but wealthy family, his father dead when he was only eight, he decides to strike a different path for himself as...